Live Review: Trentemoller 'Come Undone' (Trentemoller Remix) (Official Video)
The video for the ‘Come Undone’ rework is the second in a series of audio-visual collaborations between Trentemoller and Andreas Emenius.
Scheduled for early September is the release of TRENTEMOLLER’s ‘Lost Reworks’, a conceptual change-up from the original insight into his album ‘Lost’. Basically, it’s a remix album. But it’s a little more complex in that the notions of sound and the intentions of the sounds perception have been changed to suit a different audience altogether.
Remixed by the likes of TOYDRUM, JENNY WILSON & UNKWON, TRENTEMOLLER’s ‘Lost Reworks’ also takes a complex step away from the individual’s perception, but adds flavours of other artists into the mix.
The first track to surface from the forthcoming rework is actually a mix done by TRENTEMOLLER of a track called ‘Come Undone’. The original version of ‘Come Undone’ featuring the rather ethereal vocals of Kazu Makino of BLONDE REDHEAD is a twinkling scape, coloured by drawling atmospheres and a heightened sense of sustained sensibility.
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TRENTEMOLLER’s rework somehow takes it to new heights, throwing it through an electronic rinse, and hanging it out to dry with a hook that gives this a real 80’s/90’s BEEGEES kind of vibe. Really cool.
To celebrate the release of the rework, ANDREAS EMENIUS has created a brilliant video to accompany the track.
The video for the ‘Come Undone’ rework is the second in a series of audio-visual collaborations between TRENTEMOLLER and ANDREAS EMENIUS.
The beauty is in the form. Aesthetically, the video is smooth, sensual and symmetrical. Probably three of the most satisfying things. The greyscale hue of the video actually works superbly in parallel with the tone of the track, one that does not express much colour, but has more shades than ever before.
A stunning video for a stunning track. The audio-visual collaboration between TRENTEMOLLER and ANDREAS EMENIUS is genius’ at work, one that is rarely seen on such an eclectic and complex piece.
Words by Caitlin Medcalf
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