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Live Review: PREMIERE: Third Floor jumps off in 'Reflex Remix' of Beni's 'Protect'

13 December 2016 | 7:59 am | Steve Copp

Sydney music scene favorite Third Floor gives new meaning to the word remix in 'Re-flex' of fellow Sydney producer Beni's- 'Protect'

Local Sydney favourite Third Floor has produced the goods once again in the form of 'Reflex Remix' of fellow Sydney DJ BENI's dreamy house track 'Protect'. Just when you think a song couldn't leave you in a better place, skilled Sydney artists like Third Floor's AARON BANNIE come along and do exactly this.

A Sydney fav and deservedly so, Bannie can produce a completely different landscape to a song with an identical skeletal structure with such ease and finesse there is no surprise why he's blowing up all over Sydney and the surrounds. The artistry he shows in this new piece further enforces the gravitas that surrounds his name on the Sydney club scene. Infectious vibes and skilful production leads the track straight up the stairway to heaven only to jump off into a freefall.

The way Bannie programs this track has you sunk, fully submerged in a pool of vibration inside a fully synthesised environment. The world just seems to fall at the feet of this new Third Floor remix. Massive in stature, it clouds your thoughts entirely, taking your undivided attention for its entireity. As a good remix should, Third Floor has almost managed to give Beni's lyrics a new meaning in this fresh showing of pristine production.

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A follow up to his EP 'Dream State' Bannie has kept the atmosphere from his successful release and blessed us all by combining it with Beni's original works, which you knew was always gonna be a successful collab. This Third Floor revamp has breathed new life into an already ready-to-go banger, paying testament to just how skilful a producer Purple Sneakers Fav Third Floor actually is. If you haven't yet, there's no better time to get around the Sydney producer than right now. Why not kick things off with the 'Reflex' Remix of 'Protect'. You can thank us later.

Words by Steve Copp

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